Philosophical Introduction to Indian Music
Informacje ogólne
Kod przedmiotu: | WFz.KPSC-8630 |
Kod Erasmus / ISCED: |
(brak danych)
/
(0220) Nauki humanistyczne
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Nazwa przedmiotu: | Philosophical Introduction to Indian Music |
Jednostka: | Katedra Porównawczych Studiów Cywilizacji |
Grupy: | |
Punkty ECTS i inne: |
(brak)
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Język prowadzenia: | angielski |
Skrócony opis: |
Classes: 11.04 (Thursday) 15.00 to 18.00, room 114 18.04 (Thursday) 15.00 to 18.00, room 114 25.04 (Thursday) 15.00 to 18.00, room 114 26.04 (Friday) 11.30 to 14.30, room 119 09.05 (Thursday) 15.00 to 18.00, room 114 10.05 (Friday) 11.30 to 14.30, room 119 16.05 (Thursday) 15.00 to 18.00, room 114 17.05 (Friday) 11.30 to 13.00, room 119 |
Pełny opis: |
On the unique and fascinating characteristics of India Music is reflected the unique Indian philosophy, that is, Indian way of thinking or apprehension of the universe & the man. Melody theory (Raga) & rhythm theory (Tala) of music is traceable to the musical practice in ancient Rigveda recitation or Samaveda singing, and to philosophy such as Advaita (Non-dualistic)Vedanta philosophy , Shabda (Word)-Brahman philosophy or Nada (Sound)-Brahman philosophy while rhythm theory (Tala) of music to Samsara theory or practice of Sanskrit prosody etc.. In this lecture framework, Beatles, John Coltrane, Philip Grass, Ravi Shankar and other musicians will be taken up. |
Literatura: |
S.Radhakrishnan & C.Moore (Ed), A Sourcebook in Indian Philosophy, Princeton University Press, 1973 Wayne Howard, Samavedic Chant, Yale University Press, 1977 Kapila Vatsyayan, Classical Indian Dance in Literature and the Arta, Sangeet Natak Akademi, New Delhi,1977 Advaita Ashrama (Ed.), Abridged edition of the Complete Works of Swami Vivekananda, Advaita Ashrama, 1985 Emmie Te Nijenhuis, Indian Music, History and Structure, E.J.Brill, 1974 Alain Danielou, The Ragas of Northern Indian Music, Munshiram Manoharlal, New Delhi, 1980 B.C. Deva, An Introduction to Indian Music, Publications Division, Ministry of Information and Broadcasting, Government of India, 1981 Ludwig Pesch, The Illustrated Companion to South Indian Classical Music, Oxford University Press, 1999 Indurama Srivastava, Dhrupada, Motilal Banarsidass, 1980 George Harrison, I Me Mine, Chronicle Books, 2002 J.C.Thomas, Coltrane Chasin’ the Trane, Da Capo Press, 1976 Ravi Shankar, My Music, My Life, Vikas Publishing House, New Delhi,1982 Ravi Shankar, Raga Mala, An autobiography, Element Books,1999 |
Efekty uczenia się: |
The course intends to present Indian Classic music with the philosophical background for its proper appreciation. |
Metody i kryteria oceniania: |
Term paper |
Właścicielem praw autorskich jest Uniwersytet Jagielloński w Krakowie.